Wild Oats

This is the fifth poem by Larkin in this anthology and it’s one that straddles my self-imposed/copied categories.  One could call it an  “Intimations” poem as much as a “Separations” or “Desolations” one.  It really doesn’t fit neatly in any, but it belongs in this anthology precisely because it mirrors real life: sometimes it’s just impossible to categorize a relationship (or its place) in the “love relationship pantheon”.  I’ve “liked” it because of how compresses the whole arc of a seven year into just a few lines, but the sparseness of details does not deter one from absolutely “getting” what it was to the writer.  There is a sadness in how desultory it was or meaningful (or not) to him.  He isn’t quite a cad but certainly not a noble soul.  And he doesn’t seem to have learned anything from the years it took of his (and her) life, even while “reflecting” through this account of the relationship.  It leaves me both sad for him and wondering how many of us have had his kind of experience. 

BY PHILIP LARKIN

About twenty years ago

Two girls came in where I worked—

A bosomy English rose

And her friend in specs I could talk to.   

Faces in those days sparked

The whole shooting-match off, and I doubt   

If ever one had like hers:

But it was the friend I took out,

And in seven years after that   

Wrote over four hundred letters,   

Gave a ten-guinea ring

I got back in the end, and met   

At numerous cathedral cities   

Unknown to the clergy. I believe

I met beautiful twice. She was trying   

Both times (so I thought) not to laugh.

Parting, after about five

Rehearsals, was an agreement   

That I was too selfish, withdrawn,   

And easily bored to love.

Well, useful to get that learnt.   

In my wallet are still two snaps

Of bosomy rose with fur gloves on.   

Unlucky charms, perhaps.

Words for the Wind

This is the sixth of Roethke’s poems included here and one of his great love poems—lush, sensual, and mystical.  I wrestled with its inclusion because of thelength, but it’s worth taking the time to read.  And reread because the imagery is so rich and - sometimes - so rewiring of common words together for something fresh, that it takes some time and effort to fully appreciate what he has done. It’s a sustained lyric meditation on the subject.  The ending has always struck me as quintessential Roethke. Love is not simply admiration or desire; it’s a way of discovering oneself in another consciousness.

So, get a glass of your favorite beverage for reading poetry, get comfortable, and enjoy!  

 WORDS FOR THE WIND

                                          Theodore Roethke 

1

Love, love, a lily's my care,
She's sweeter than a tree.
Loving, I use the air
Most lovingly: I breathe;
Mad in the wind I wear
Myself as I should be,
All's even with the odd,
My brother the vine is glad.

Are flower and seed the same?
What do the great dead say?
Sweet Phoebe, she's my theme:
She sways whenever I sway.
"O love me while I am,
You green thing in my way!"
I cried, and the birds came down
And made my song their own.

Motion can keep me still:
She kissed me out of thought
As a lovely substance will;
She wandered; I did not:
I stayed, and light fell
Across her pulsing throat;
I stared, and a garden stone
Slowly became the moon.

The shallow stream runs slack;
The wind creaks slowly by;
Out of a nestling's beak
Comes a tremulous cry
I cannot answer back;
A shape from deep in the eye 
That woman I saw in a stone 
Keeps pace when I walk alone.

2

The sun declares the earth;
The stones leap in the stream;
On a wide plain, beyond
The far stretch of a dream,
A field breaks like the sea;
The wind's white with her name,
And I walk with the wind.

The dove's my will today.
She sways, half in the sun:
Rose, easy on a stem,
One with the sighing vine,
One to be merry with,
And pleased to meet the moon.
She likes wherever I am.

Passion's enough to give
Shape to a random joy:
I cry delight: I know
The root, the core of a cry.
Swan-heart, arbutus-calm,
She moves when time is shy:
Love has a thing to do.

A fair thing grows more fair;
The green, the springing green
Makes an intenser day
Under the rising moon;
I smile, no mineral man;
I bear, but not alone,
The burden of this joy.

3

Under a southern wind,
The birds and fishes move
North, in a single stream;
The sharp stars swing around;
I get a step beyond
The wind, and there I am,
I'm odd and full of love.

Wisdom, where is it found? 
Those who embrace, believe.
Whatever was, still is,
Says a song tied to a tree.
Below, on the ferny ground,
In rivery air, at ease,
I walk with my true love.

What time's my heart? I care.
I cherish what I have
Had of the temporal:
I am no longer young
But the winds and waters are;
What falls away will fall;
All things bring me to love.

4

The breath of a long root,
The shy perimeter
Of the unfolding rose,
The green, the altered leaf,
The oyster's weeping foot,
And the incipient star 
Are part of what she is.
She wakes the ends of life.

Being myself, I sing
The soul's immediate joy.
Light, light, where's my repose?
A wind wreathes round a tree.
A thing is done: a thing
Body and spirit know
When I do what she does:
Creaturely creature, she! 

I kiss her moving mouth,
Her swart hilarious skin;
She breaks my breath in half;
She frolicks like a beast;
And I dance round and round,
A fond and foolish man,
And see and suffer myself
In another being, at last.

1958